What We Create/ Event Coverage

The event ends. The film keeps working.

Adrenaline × Fastrack

An event is the most expensive content opportunity most brands ever create — months of planning, one day of execution — and most of it evaporates the moment the last guest leaves. Coverage done properly fixes that: a crew that knows where the moments will happen before they happen, and an edit plan that turns one day into a highlight film, a sponsor asset and a stack of social cuts that carry the brand until the next one.

That is what we shot for Adrenaline × Fastrack — a live experience covered so the energy of the day survives the edit. Event work rewards preparation over gear count: we walk the run sheet with you beforehand, position for the unrepeatable moments, and shoot 6K so a two-camera crew delivers what looks like a five-camera broadcast. Then the edit does the real work, because footage of an event is not the same thing as a film about one.

Proof on the reel

What the format covers

The work, up front

01

The highlight film

The 60–120 second after-movie — the energy of the day compressed into the piece that sells next year's tickets, sponsors and stands.

02

Same-week social cuts

Vertical cuts delivered while the event is still in the feed's memory — speed matters here, and the edit plan is built for it before the day.

03

Sponsor & partner assets

Branded moments and activation coverage cut per sponsor, so partners get deliverables — which makes next year's sponsorship conversation easier.

04

Speaker & session capture

Clean multi-angle capture of talks and panels with proper audio — the content program that keeps a conference selling all year.

What it costs

Typically a standard day from $850 + standard edits from $200 each

Off our published rates. Multi-day events and second crews quoted per brief; the exact fixed price is locked on a 20-minute call.

FAQ

Event Coverage — questions

How fast can we get the highlight film?

Social cuts inside the same week — momentum is the point of them. The highlight film follows once the full edit is graded and mixed; if you need it for a specific send date, tell us and we plan the edit backwards from it. Rush delivery is a published add-on.

The event can't be re-run. What if something gets missed?

That's exactly why we walk the run sheet with you beforehand. Key moments get planned coverage, not luck — and we shoot with enough overlap that no single missed angle can sink the film.

Can you cover a multi-day festival or conference?

Yes — multi-day and second-crew configurations are quoted per brief off the same published day rates, with overnight rates in the estimator for anything beyond the Gold Coast.

Do sponsors get their own edits?

They can, and it's worth budgeting for. Sponsor cuts come from the same coverage, cost a per-edit line item, and give your partnerships team a deliverable to renew against.

Who briefs us for this

The industries that buy it

Get a real number, today

Build an indicative range off our published rates in under a minute — no email gate, no from-$ tease.

$20m Public Liability Working With Children Check Fully insured