What We Create/ Social Video Campaigns

A month of feed, from one shoot day.

Body Catalyst · Rachael Finch

Social video is a volume game with a quality floor. One good film does nothing for an account that needs to post four times a week — but a batch of cheap-looking clips quietly costs you the credibility everything else was built to earn. The answer is a campaign: a planned batch of pieces, shot in one efficient day, that gives the feed a month of content holding the same standard as the rest of the brand.

That is the model we run for Body Catalyst and the Rachael Finch wellness work — recurring shoot days that turn into stacks of vertical cuts, product moments and talent-led pieces, each one framed for the platform it will actually run on. Shot in 6K so every crop survives, planned around a content calendar rather than a one-off brief, and priced off the same published day and edit rates as everything else we make.

Proof on the reel

What the format covers

The work, up front

01

The campaign batch

A half or full shoot day planned against your content calendar, delivering 4–8 finished cuts — hooks first, native ratios, captions ready.

02

Talent & founder-led content

Pieces built around a face the audience knows — directed so the delivery feels off-the-cuff, shot so it looks nothing like a phone propped on a shelf.

03

Product-in-feed pieces

The product moment cut for the scroll — 15 to 30 seconds, benefit up front, shot alongside the campaign batch so it costs a line item, not a production.

04

The monthly retainer

For brands that post every week, a standing shoot day each month keeps the pipeline full — the batch model, on a schedule, at retainer rates.

What it costs

Typically a half day from $650 + social cuts from $150 each

Off our published rates — the Social Starter in the estimator is this exact configuration. Exact price locked on a 20-minute call.

FAQ

Social Video Campaigns — questions

How many videos come out of one shoot day?

A half day is planned for 3–4 finished pieces, a standard day 5–6, a full day up to 8. The number is set by the shot plan before we roll, so you know what the day buys.

Won't produced content feel out of place in the feed?

Only if it's cut like a TV ad. We shoot for the platform — vertical framing, hooks in the first second, captions on — so it reads native while looking deliberately better than what surrounds it.

Can you work to our content calendar?

That's the preferred way. Give us the month's themes and the batch is planned against them, so every cut has a slot before it's ever shot.

What if we need content every single week?

That's a retainer conversation — a standing monthly shoot day with the batch planned in advance. It's the cheapest per-video way we sell, and how most of our social clients run.

Who briefs us for this

The industries that buy it

Get a real number, today

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