Volkswagen Australia · Energy Australia · Ray White · Cutso
A commercial has one job: land the message in thirty seconds with enough craft that nobody questions the brand behind it. That bar is what separates a TVC from every other video on this site — the lighting, the grade, the sound mix and the pacing all have to survive a broadcast slot or a cinema screen, sitting next to work made on ten times the budget.
We have delivered that bar for Volkswagen Australia, Energy Australia and Ray White — including cinema placement — with the same model every time: one crew carries the treatment, the shoot day, the edit and the final colour, so the look never drifts between vendors. Shot in 6K with broadcast-safe delivery, and every spot is planned so the 30 becomes a 15, a 6 and a vertical without a second production.
What the format covers
The 15–60 second commercial itself — treatment, full crew shoot, edit, grade and mix, delivered to broadcast, cinema or online spec.
The 30 versioned to 15s and 6s plus 9:16 and 1:1, cut from the same setups so the campaign holds together on every screen it buys.
Ray White briefed us for a cinema ad — a format with nowhere to hide. DCI-compliant delivery with a grade built for the big screen is part of the service, not an upsell.
Fast-turn commercials for a sale, a launch window or a seasonal push — same craft, compressed timeline, priced off the same published rates.
What it costs
Off our published rates. Pre-production, casting and media-spec deliveries quoted per brief; the exact fixed price is locked on a 20-minute call.
FAQ
Yes — loudness-compliant audio, legal levels and the delivery specs your media buyer hands us, including DCP-ready masters for cinema. Tell us where the spot is running and we deliver to that standard.
No. Our published day and edit rates apply to commercials the same as everything else. What moves the price is scope — cast, locations, art department — and you see that before you commit, on a call, not after.
That is how we plan every commercial. The shot list serves the hero 30 and the vertical cutdowns from the same setups, so the campaign gets its full asset stack from one production.
Either. Direct clients get concept and treatment from us. Agencies bring us boards and we execute under their creative direction — see our agencies page for how white-label works.
Build an indicative range off our published rates in under a minute — no email gate, no from-$ tease.